Dil To Pagal Hai | |
---|---|
Directed by | Yash Chopra |
Produced by | Yash Chopra Aditya Chopra |
Screenplay by | Aditya Chopra Tanuja Chandra Pamela Chopra Yash Chopra |
Story by | Aditya Chopra |
Starring | Shah Rukh Khan Madhuri Dixit Karisma Kapoor Akshay Kumar |
Music by | Uttam Singh |
Cinematography | Manmohan Singh |
Edited by | V. Karnik |
Distributed by | Yash Raj Films |
Release date | |
Running time | 180 minutes |
Country | India |
Language | Hindi |
Budget | est.₹90 million[1] |
Box office | est.₹718.6 million[1] |
- Dil To Pagal Hai (1997) is a movie genre Drama produced by Yash Raj Films was released in India on 1997-10-30 with director Yash Chopra and had been written. Watch Dil To Pagal Hai (1997) Full Movie Online Streaming. Movie Dil To Pagal Hai trailer, Dil To Pagal Hai live streaming film, watch full movie Dil To Pagal Hai online, Dil To.
- Mera Dil Bhi Kitna Pagal Hai (Eng Sub) [Full Song] (HQ) With Lyrics - Saajan 4:34 Welcome Back - Dil Toh Pagal Hai - John Abraham Shruti Haasan - Yo Yo Honey Singh, Latest Song 2015.
Dil To Pagal Hai (translation: The heart is crazy, Hindi pronunciation: [d̪ɪl t̪oː paːgəl ɦɛː]), is a 1997 Indian musicalromantic film directed by Yash Chopra. The film follows the love lives of the members of a musical troupe, in which two dancers played by Madhuri Dixit and Karisma Kapoor compete for the love of a choreographer played by Shah Rukh Khan with Akshay Kumar appearing in a supporting role. The soundtrack was composed by Uttam Singh, while the lyrics were written by Anand Bakshi. The film was screened retrospective, during the 2014 International Film Festival of India in the Celebrating Dance in Indian cinema section.[2]
Dil To Pagal Hai Must Watch. I really enjoyed this movie - also because it has an happy ending - and SRK is a really good actor. Contains spoiler. Dil ty pagal hai such main contains spoiler. Oct 30, 1997 DIL TO PAGAL HAI is the story of Rahul (Shahrukh Khan), who does not believe in love. Rahul fails to understand how two people can spend their lives together. It is the story of Pooja (Madhuri Dixit), who believes that there is someone who is made for her and she is destined to meet that person.
Made on a budget of ₹90 million (US$1.3 million), Dil To Pagal Hai went on to gross over ₹712 million (US$10 million) worldwide, becoming the highest-grossing Bollywood film of 1997. The film received generally positive reviews from critics,[citation needed] who praised Chopra's direction, the storyline, soundtrack, and performances of Khan, Dixit, Kapoor and Kumar. The film also marked Khan's third film with Chopra after Darr (1993) and Dilwale Dulhania Le Jayenge (1995), and the third movie to feature Khan opposite Dixit for the third time, after Anjaam (1994) and Koyla (1997), and Kapoor for the first time.
Cara mempublish projek di adibe director 11. Each of these regional bases are organised similarly to the Neighbourhood Police Centres of the land divisions, and conduct patrols within their maritime sectors. It operates from five regional bases around the peninsula and East Malaysia. The PGM conducts round-the-clock patrols in Malaysian territorial waters from its five regional bases, in an area of more than 142, 393 km 2 and 450, 233 km 2 for EEZ as well as 4490 km for the coastlines.
Dil To Pagal Hai is the recipient of several awards. At the 46th National Film Awards, the film won three awards.[citation needed] In addition, the film was nominated for eleven awards at the 43rd Filmfare Awards and picked up eight trophies, including ones for Best Film, Best Actor awards for Khan and Dixit, and the Best Actor in a Supporting Role award for Kapoor.
- 5Release
Plot[edit]
Rahul (Shah Rukh Khan) and Nisha (Karisma Kapoor) are members of a massive dance troupe that performs dance-based musical plays. They are the best of friends, although Nisha is secretly in love with Rahul. Rahul announces his desire to direct a musical named Maya. The members of the troupe, including Nisha, have their doubts about the title character, 'Maya', who Rahul describes as a girl who believes in true love and waiting for her prince charming who will surely turn up and take her away. Meanwhile, Pooja (Madhuri Dixit) is introduced, an amazing dancer, classically trained as well, and passionate about dancing. Having been orphaned at a young age, she has been raised by close friends of her parents.
Pooja and Rahul have a string of near-misses as they run into each other time and again. Each of these instances is marked by a tune playing in the background, that registers with Pooja. During rehearsals for the play, Nisha injures her leg and the doctor says she cannot dance for a few months. Rahul needs a new woman to play the lead role in the play. He comes across Pooja dancing one day and believes she is perfect for the role. He begs her to come to their rehearsals and she agrees. Rahul and Pooja become close friends. Doted upon by her foster family, Pooja is soon taken to Germany by her guardian's son Ajay (Akshay Kumar), her childhood best friend who has been in London for months. Just as Ajay leaves to fly to England, he proposes to Pooja. In a dilemma, she ends up accepting it.
Nisha soon returns from the hospital and is upset that she has been replaced. Upon learning that Rahul loves Pooja, she becomes very jealous of her. Knowing that Rahul does not reciprocate her love, she decides to leave for London. Throughout rehearsals, Rahul and Pooja find themselves falling for one another. When Rahul drops Pooja home one day, he starts whistling his tune, making Pooja realize that she has fallen for the man with the tune she so often heard. The next day, the two go to meet Pooja's old dance tutor, who Pooja addresses as Tai (Aruna Irani), who figures that the two are blatantly in love. At the wedding of two members of the dance troupe, Rahul and Pooja share an intimate moment but are unsure how to fully express their love.
A few days before the premiere, Ajay arrives at the rehearsal hall to surprise Pooja while telling everyone that he is her fiancé. Rahul is heartbroken but tries not to show it. Nisha, who has returned, notices Rahul's devastation and explains how she too was devastated when he did not love her in return. Rahul edits the end of the play to reflect his heartbreak, in contrast to his usual style of always giving a happy ending. On the night of the premiere, as Rahul and Pooja's characters are about to break up on stage, Ajay plays a recorded tape Pooja was going to send him before his proposal where she described how she felt about Rahul. Ajay is indirectly telling Pooja that she and Rahul are meant to be together. Pooja now realizes she truly loves Rahul and the two confess their love on stage as the audience applauds them, giving the play a happy ending once again. Also, backstage, Ajay ends up asking Nisha whether she is already married or not (implying him getting interested in her).
Cast[edit]
- Shah Rukh Khan as Rahul Dhanrajgir
- Madhuri Dixit as Pooja Chauhan— Rahul's love interest
- Karisma Kapoor as Nisha Sandhu— Rahul's childhood friend
- Akshay Kumar as Ajay Sahni— Pooja's childhood friend
- Farida Jalal as Swarna Sahni— Ajay's mother
- Deven Verma as Shrikant Sahni— Ajay's father
- Aruna Irani as Anamika Kapoor— Pooja's teacher
- Ameesha Patel as Backstage Speaker
- Shahid Kapoor as Background dancer
Production[edit]
Dil To Pagal Hai Team sleep formant rapidshare library. was the second of Chopra's four consecutive films to star Shah Rukh Khan in the lead role. It was the third film to feature Shah Rukh Khan opposite Madhuri Dixit. The film was originally titled 'Maine To Mohabbat Kar Li' and 'Tevar' before Yash Chopra finally settled on 'Dil To Pagal Hai' as the title.
Originally the first choice for the role, Kapoor was hesitant to take on the project.[3] The role had been offered to Manisha Koirala. Manisha Koirala refused the role and Chopra offered it to Juhi Chawla as Chopra wanted the two leading actresses of that time to appear together on screen but Chawla did not want to play second fiddle to Dixit especially after playing the main lead actress in Chopra's Darr. Kajol and Raveena Tandon were next; however, Kajol deemed the role insubstantial while Raveena Tandon was considering quitting her career at the time. The role then was also offered to actress Urmila Matondkar who accepted, but left the film after a day of shooting. No leading lady of that time was willing to take the risk of playing the second lead to Madhuri. Chopra re-approached Kapoor with the film and she agreed to take up the challenge and was finally signed for the role.[4][5] She felt that despite the short screen time, a lot could be achieved with her role.[6]
In addition to writing the story, Chopra co-produced the film along with M Vakil under the banner Yash Raj Films. The script was written by Chopra, his son Aditya and wife Pamela. The film's costumes were handled together by Manish Malhotra, Karan Johar and Salman. Manmohan Singh was the cinematographer. The choreography was handled by Farah Khan and Shiamak Davar.[7] This was one of Shahid Kapoor's first appearances on film. He was a background dancer in the song 'Le Gayi'.[8]
Chopra rejected 54 dresses created by Manish Malhotra for Dixit's character, choosing a salwar kameez over others.[9] It was the first Bollywood film to be shot in Baden-Baden and Europa Park, both German tourist attractions. It was made on a budget of ₹90 million.[1]
Soundtrack[edit]
Dil To Pagal Hai | ||||
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Soundtrack album by | ||||
Released | 27 August 1997[10] | |||
Genre | Feature film soundtrack | |||
Label | YRF Music | |||
Producer | Yash Chopra | |||
Uttam Singh chronology | ||||
| ||||
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The soundtrack of Dil To Pagal Hai includes ten songs. The songs for the film were composed by Uttam Singh. Lyrics were written by Anand Bakshi.[11] The music was a major hit among the public, with the album becoming the best-selling Bollywood soundtrack of the year, with 12.5million soundtrack album sales.[12] Chopra earned an advance of ₹45 million for the music rights.[13] In 2008, Chopra launched an unreleased song from the soundtrack, sung by Mangeshkar.[14]
Silent Warrior 8. Shoot the Club Up 9. Krayzie bone thug mentality disc 1. Theze Dayz 7.
No. | Title | Singer(s) | Length |
---|---|---|---|
1. | 'Dil To Pagal Hai' | Lata Mangeshkar, Udit Narayan | 05:40 |
2. | 'Arre Re Arre' | Lata Mangeshkar, Udit Narayan | 05:38 |
3. | 'Bholi Si Surat' | Lata Mangeshkar, Udit Narayan | 04:17 |
4. | 'Dholna' | Lata Mangeshkar, Udit Narayan | 05:21 |
5. | 'Le Gayi' | Asha Bhosle, Udit Narayan (on the extended version that is used in the film) | 05:46 |
6. | 'Chand Ne Kuch Kaha (Pyar Kar)' | Lata Mangeshkar, Udit Narayan | 06:48 |
7. | 'Koi Ladki Hai' | Lata Mangeshkar, Udit Narayan | 05:34 |
8. | 'Ek Duje Ke Vaaste' | Hariharan, Lata Mangeskhar | 03:30 |
9. | 'Arre Re Arre' (Part 2) | Lata Mangeshkar, Udit Narayan | 02:06 |
10. | 'Chanda Ki Chandi' | Lata Mangeshkar, Kumar Sanu | 05:51 |
11. | 'The Dance of Envy' | Instrumental | 03:15 |
12. | 'Kitni Hai Bekarar Ye' | Lata Mangeshkar, Kumar Sanu | 05:48 |
Total length: | 59:34 |
Release[edit]
Approximately 300 prints of the film were released worldwide, with 250–260 across India, including approximately 60 in the Mumbai circuit. Sixty prints were released overseas.[15]
Box office[edit]
Screen reported that Dil To Pagal Hai opened to a 'record business with 100 percent collections in the first week all over India.' The report added that prints were sold as ₹2 crore per territory.[16] 100 per cent collections were report also in the second week, and 97 per cent in the third.[17]
It grossed ₹59.82 crore (US$8.7 million) in India and $3.3 million (₹12.04 crore) in other countries, for a worldwide total of ₹71.86 crore (US$10 million), against its ₹9 crore (US$1.3 million) budget. It had a worldwide opening weekend of ₹4.71 crore (US$680,000), and grossed ₹8.97 crore (US$1.3 million) in its first week.[18] It opened on Friday, 31 October 1997, across 245 screens, and earned ₹98 lakh (US$140,000) nett on its opening day. It became the third highest opener of the year behind Border (₹1.12 crore (US$160,000) nett) and Koyla (₹1.06 crore (US$150,000) nett).[19] It grossed ₹2.75 crore (US$400,000) nett in its opening weekend, and had a first week of ₹5.24 crore (US$760,000) nett. The film earned a total of ₹34.97 crore (US$5.1 million) nett. It is the 2nd-highest-grossing film of 1997 in India after Border which grossed ₹39.45 crore (US$5.7 million) nett.[20]
It earned $3.3 million (₹12.04 crore) outside India.[18] Overseas, It is the highest-grossing film of 1997.[21]Dil To Pagal Hai is the highest-grossing Indian film of 1997 worldwide.[22]
Critical reception[edit]
Omar Ahmed of Empire gave the film 4 out of 5 stars, noting, 'It's great eye-candy, painting a portrait of a newly prosperous India in rainbow colours. Good performances too make this a cut above the Bollywood average.'[23]
Yahoo! Movies, Rediff.com, IBNLive and The Times of India have listed Dil To Pagal Hai as one of the top 10 Yash Chopra films.[24][25][26][27]
Awards[edit]
Winner
Award | Category | Recipient(s) | Results |
---|---|---|---|
45th National Film Awards | Best Popular Film Providing Wholesome Entertainment | Yash Chopra | Won |
Best Choreographer | Shiamak Davar | ||
Best Supporting Actress | Karisma Kapoor | ||
43rd Filmfare Awards | Best Film | Yash Chopra | |
Best Actor | Shah Rukh Khan | ||
Best Actress | Madhuri Dixit | ||
Best Supporting Actress | Karisma Kapoor | ||
Best Music Director | Uttam Singh | ||
Best Art Direction | Sharmishta Roy | ||
Best Dialogue | Aditya Chopra | ||
Zee Cine Awards | Best Film | Yash Chopra | |
Best Actor | Shah Rukh Khan | ||
Best Actress | Madhuri Dixit | ||
Best Actress in a Supporting Role | Karisma Kapoor | ||
Best Dialogue | Aditya Chopra | ||
Best Art Direction | Sharmishta Roy | ||
Best Music Director | Uttam Singh | ||
Best Female Singer | Lata Mangeshkar | ||
Best Cinematography | Manmohan Singh | ||
Best Choreography | Shiamak Davar | ||
Videocon Screen Awards[28] | Best Choreographer | Shiamak Davar | |
Best Art Director | Sharmishta Roy |
References[edit]
- ^ abc'Dil To Pagal Hai'. Box Office India. Archived from the original on 1 August 2015. Retrieved 22 July 2015.
- ^'Archived copy'(PDF). Archived from the original(PDF) on 16 March 2016. Retrieved 16 September 2016.CS1 maint: Archived copy as title (link)
- ^https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/news/Karisma-Kapoor-was-the-5th-choice-for-Dil-To-Pagal-Hai-after-Kajol-Manisha-Koirala-Juhi-Chawla-and-Urmila/articleshow/21909104.cms
- ^'Archived copy'. Archived from the original on 17 March 2016. Retrieved 2 September 2015.CS1 maint: Archived copy as title (link)
- ^'6 interesting moments of Madhuri-Juhi on Koffee With Karan'. The Times of India. Archived from the original on 2 March 2014. Retrieved 3 March 2014.
- ^https://m.rediff.com/movies/1999/sep/28kari.htm
- ^http://www.bollywoodhungama.com/movie/dil-to-pagal-hai/cast/
- ^'Archived copy'. Archived from the original on 7 March 2016. Retrieved 22 April 2016.CS1 maint: Archived copy as title (link)
- ^'Archived copy'. Archived from the original on 19 March 2018. Retrieved 18 March 2018.CS1 maint: Archived copy as title (link)
- ^'Dil To Pagal Hai (Original Motion Picture Soundtrack)'. iTunes.
- ^'Archived copy'. Archived from the original on 30 June 2015. Retrieved 22 April 2016.CS1 maint: Archived copy as title (link)
- ^'Internet Archive Wayback Machine'. Web.archive.org. 22 January 2009. Archived from the original on 15 February 2008. Retrieved 9 May 2012.
- ^Kaur, Raminder; Sinha, Ajay J. (2005). Bollyworld: Popular Indian Cinema Through A Transnational Lens. SAGE Publications. p. 189. ISBN9788132103448.
- ^http://www.bollywoodhungama.com/news/bollywood/yash-chopra-releases-an-unheard-song-of-lata-mangeshkar-from-dil-to-pagal-hai/
- ^'Dil to Pagal Hai : A feel of Youth'. Screen. 31 October 1997. Archived from the original on 15 March 2003. Retrieved 14 November 2018.
- ^'Dil To Pagal Hai does bumper business'. Screen. Archived from the original on 20 September 2003. Retrieved 14 November 2018.
- ^'Box-Office Report: Dil To Pagal Hai'. Screen. Archived from the original on 24 September 2001. Retrieved 14 November 2018.
- ^ ab'Dil To Pagal Hai Box office'. Box Office India. 22 July 2015. Archived from the original on 1 August 2015. Retrieved 22 July 2015.
- ^'Top India First Day 1997'. Box Office India. 22 July 2015. Archived from the original on 5 August 2015. Retrieved 22 July 2015.
- ^'Top India Total Nett Gross 1997'. Box Office India. 22 July 2015. Archived from the original on 4 August 2015. Retrieved 22 July 2015.
- ^'Top Overseas Gross 1997'. Box Office India. 22 July 2015. Archived from the original on 5 August 2015. Retrieved 22 July 2015.
- ^'Top Worldwide Grossers 1997'. Box Office India. 22 July 2015. Archived from the original on 5 August 2015. Retrieved 22 July 2015.
- ^'Review by Omar Ahmed (Empire)'. Archived from the original on 3 December 2013. Retrieved 13 December 2012.
- ^'Best of Yash Chopra'. Archived from the original on 26 October 2012. Retrieved 13 December 2012.
- ^'The Very Best of Yash Chopra'. Archived from the original on 23 February 2015. Retrieved 13 December 2012.
- ^'Yash Chopra: Top 10 gems from the maestro's repertoire'. Archived from the original on 23 October 2012. Retrieved 13 December 2012.
- ^'Top 10 Yash Chopra films'. The Times of India. 23 October 2012. Archived from the original on 23 December 2012. Retrieved 13 December 2012.
- ^'Screen Videocon Film Awards Winners'. Screen. Archived from the original on 20 October 2002. Retrieved 13 November 2018.
External links[edit]
Dil To Pagal Hai Full Movie Dailymotion Download
- Dil To Pagal Hai on IMDb
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Dil_To_Pagal_Hai&oldid=912393913'
Dil To Pagal Hai Film
Rahul describes to his entourage 'Maaya'. As he sketches her out verbally, Pooja dances on cue. The two seem conjoined.
Is she his fantasy of is she for real?
During the first hour of the movie the hero Rahul and heroine Pooja, almost meet. When in close proximity, Rahul always whistles the same haunting and memorable tune, which catches her interest.
First encounter. Both are in adjoining changing cubicles, and she can hear him whistling. As she comes out, she notices he has no trousers, as he is trying to pass her, unobtrusively. Yeah right! That's really going to work. He whistles nonchalantly. She laughs and comments 'mad'.
Second encounter she comes out as instructed by her uncle to thank him for bringing the birthday cake, only to see him walking away, whistling.
On Valentine's night he rings her family's phone ☎ number she's irritated and cuts off the call. His comment 'nice voice'. Just before midnight she again hears the whistle. She's awaiting to see the face of her 'soul mate'. Just prior to this both have been singing the same song, in sync emotionally but physically in separate locations.
Finally at the dance studio she's dancing in the spot light, on hearing him playing the drums is inspired to dance. She finishes to find him watching, his expression non too friendly. Feeling awkward she collects her stuff and leaves.
He smiles. Click! She's the one! He's been waiting for, the female character for his next project.
So he approaches her to dance for his show, whilst she is shopping. On his bended knees he begs her until she agrees. To thank her he gives her a watermelon.
They attend the wedding of two of the dancers. Rahul can't see why people have to make such a racket about getting married, mind you he says the food is fabulous. Pooja disagees with him, telling him she's engaged, plus her belief there is ready made soul mate ? out there for everyone. But it's pretty obvious to him she's not too thrilled about her engagement.
Rahul drops Pooja home, and asks how will he 'spot' his soul mate? Oh, she says there'll be a sign so you'll know. As she walks away, he notes her bangle and the clanging noise it makes. He whistles as he drives away. Pooja recognizes the whistle.
Seizing the opportunity to spend time with her, Rahul drives Pooja to see her old dance teacher for her birthday. It's obvious to the teacher which way the wind is blowing. She tries to convince both to admit their feelings for each other.
Rahul' usual dancing partner Nisha is in love with him. She not thrilled to see Pooja replacing her. Realizing it's not a healthy attitude leaves for London to visit her parents, hoping Rahul will miss her in her absence.
Ajay tells Pooja he'll tell her the name of his fiancee if a glass of water makes it to their restaurant table. At the last minute Rahul grabs the glass of water intended for Pooja and walks past her their table. No whistling!
At the airport Ajay proposes. Hesitantly Pooja accepts his marriage proposal. As Ajay works abroad he departs but acts as a handy prop, to act as an impediment to a potential match between Rahul and Pooja.
During the development of Rahul's new production, the lines are blurring. Are Rahul and Pooja actually rehearsing or are their emotions for each other for real. It's witnessing such a rehearsal on her return from London that prompts Nisha to realize that Rahul is in love with Pooja, and forever lost to her.
On opening night, as the play ends Rahul goes off script. Tell me you never ? me for a minute? The cast are taken off guard.
The viewer is taken by surprise. The tape Pooja prepared for her fiancee Ajay to end their engagement plays.
Neither Ajay not Nisha play the bad guy, hoping to secure their own happiness by being manipulative which makes a welcome change. Both see things as they are. Whilst Nisha can't convince Pooja not to make a mistake, Ajay can.
Ajay asks Nisha if she is married?
Is she his fantasy of is she for real?
During the first hour of the movie the hero Rahul and heroine Pooja, almost meet. When in close proximity, Rahul always whistles the same haunting and memorable tune, which catches her interest.
First encounter. Both are in adjoining changing cubicles, and she can hear him whistling. As she comes out, she notices he has no trousers, as he is trying to pass her, unobtrusively. Yeah right! That's really going to work. He whistles nonchalantly. She laughs and comments 'mad'.
Second encounter she comes out as instructed by her uncle to thank him for bringing the birthday cake, only to see him walking away, whistling.
On Valentine's night he rings her family's phone ☎ number she's irritated and cuts off the call. His comment 'nice voice'. Just before midnight she again hears the whistle. She's awaiting to see the face of her 'soul mate'. Just prior to this both have been singing the same song, in sync emotionally but physically in separate locations.
Finally at the dance studio she's dancing in the spot light, on hearing him playing the drums is inspired to dance. She finishes to find him watching, his expression non too friendly. Feeling awkward she collects her stuff and leaves.
He smiles. Click! She's the one! He's been waiting for, the female character for his next project.
So he approaches her to dance for his show, whilst she is shopping. On his bended knees he begs her until she agrees. To thank her he gives her a watermelon.
They attend the wedding of two of the dancers. Rahul can't see why people have to make such a racket about getting married, mind you he says the food is fabulous. Pooja disagees with him, telling him she's engaged, plus her belief there is ready made soul mate ? out there for everyone. But it's pretty obvious to him she's not too thrilled about her engagement.
Rahul drops Pooja home, and asks how will he 'spot' his soul mate? Oh, she says there'll be a sign so you'll know. As she walks away, he notes her bangle and the clanging noise it makes. He whistles as he drives away. Pooja recognizes the whistle.
Seizing the opportunity to spend time with her, Rahul drives Pooja to see her old dance teacher for her birthday. It's obvious to the teacher which way the wind is blowing. She tries to convince both to admit their feelings for each other.
Rahul' usual dancing partner Nisha is in love with him. She not thrilled to see Pooja replacing her. Realizing it's not a healthy attitude leaves for London to visit her parents, hoping Rahul will miss her in her absence.
Ajay tells Pooja he'll tell her the name of his fiancee if a glass of water makes it to their restaurant table. At the last minute Rahul grabs the glass of water intended for Pooja and walks past her their table. No whistling!
At the airport Ajay proposes. Hesitantly Pooja accepts his marriage proposal. As Ajay works abroad he departs but acts as a handy prop, to act as an impediment to a potential match between Rahul and Pooja.
During the development of Rahul's new production, the lines are blurring. Are Rahul and Pooja actually rehearsing or are their emotions for each other for real. It's witnessing such a rehearsal on her return from London that prompts Nisha to realize that Rahul is in love with Pooja, and forever lost to her.
On opening night, as the play ends Rahul goes off script. Tell me you never ? me for a minute? The cast are taken off guard.
The viewer is taken by surprise. The tape Pooja prepared for her fiancee Ajay to end their engagement plays.
Neither Ajay not Nisha play the bad guy, hoping to secure their own happiness by being manipulative which makes a welcome change. Both see things as they are. Whilst Nisha can't convince Pooja not to make a mistake, Ajay can.
Ajay asks Nisha if she is married?